{"id":1359,"date":"2020-11-22T14:50:29","date_gmt":"2020-11-22T11:50:29","guid":{"rendered":"http:\/\/muzik.name\/docs\/online-music-therapy-course\/melody-patterns-in-gregorian-chant-and-makam-music\/historical-development-of-western-music-after-the-ancient-times\/"},"modified":"2021-10-19T11:28:44","modified_gmt":"2021-10-19T08:28:44","slug":"western-music-after-the-ancient-times","status":"publish","type":"docs","link":"https:\/\/muzik.name\/en\/docs\/omt\/melody-patterns-in-gregorian-chant-and-makam-music\/western-music-after-the-ancient-times\/","title":{"rendered":"Historical development of Western music after the Ancient times"},"content":{"rendered":"\n<figure class=\"wp-block-embed-vimeo wp-block-embed is-type-video is-provider-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/487004742?dnt=1&amp;app_id=122963\" width=\"843\" height=\"474\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<h2 class=\"wp-block-heading\">Examples<\/h2>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-list\"><li>The first song is a simple psalmody as it could be heard in the early times of Christianity.<\/li><li>In these times the Church modes were not used as theoratical basis.<\/li><li>In this song the tune is Phrygian. The last tone of the song defines the mode.<\/li><\/ul>\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Jubilate Deo, Plainsong\" width=\"843\" height=\"474\" src=\"https:\/\/www.youtube.com\/embed\/KZwpyiRIOkg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure><\/div>\n<\/div>\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"832\" height=\"197\" src=\"http:\/\/muzik.name\/wp-content\/uploads\/2020\/12\/phrygian-tonus-tertius.png\" alt=\"\" class=\"wp-image-1398\" srcset=\"https:\/\/muzik.name\/wp-content\/uploads\/2020\/12\/phrygian-tonus-tertius.png 832w, https:\/\/muzik.name\/wp-content\/uploads\/2020\/12\/phrygian-tonus-tertius-300x71.png 300w, https:\/\/muzik.name\/wp-content\/uploads\/2020\/12\/phrygian-tonus-tertius-768x182.png 768w\" sizes=\"auto, (max-width: 832px) 100vw, 832px\" \/><figcaption>Phrygian Tonus Tertius<\/figcaption><\/figure>\n<hr class=\"wp-block-separator\"\/>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-list\"><li>The second chant is from a later period. The melody is more artistical and ornamented. <\/li><li>The mode of the first part (when the chorus is singing) is Lydian. The basic tone is fa. <\/li><\/ul><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Viderunt Omnes (Christmas, Gradual)\" width=\"843\" height=\"474\" src=\"https:\/\/www.youtube.com\/embed\/EN73kO2_PZA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure><\/div>\n<\/div>\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"832\" height=\"299\" src=\"http:\/\/muzik.name\/wp-content\/uploads\/2020\/12\/lydian-tonus-quintus.png\" alt=\"\" class=\"wp-image-1400\" srcset=\"https:\/\/muzik.name\/wp-content\/uploads\/2020\/12\/lydian-tonus-quintus.png 832w, https:\/\/muzik.name\/wp-content\/uploads\/2020\/12\/lydian-tonus-quintus-300x108.png 300w, https:\/\/muzik.name\/wp-content\/uploads\/2020\/12\/lydian-tonus-quintus-768x276.png 768w\" sizes=\"auto, (max-width: 832px) 100vw, 832px\" \/><figcaption>Lydian Tonus Quintus<\/figcaption><\/figure>\n<ul class=\"wp-block-list\"><li>In Lydian we have the si natural. The interval fa-si creates an augmented fourth. It was called devil&#8217;s interval and avoided.  <\/li><li>Beginning of the first part: fa major chord fa-la-do. Si naturel at the end of the picture. In the melody it creates a typical sharpness. <\/li><\/ul>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"349\" src=\"http:\/\/muzik.name\/wp-content\/uploads\/2020\/12\/augmented-4th-1024x349.jpg\" alt=\"\" class=\"wp-image-1402\" srcset=\"https:\/\/muzik.name\/wp-content\/uploads\/2020\/12\/augmented-4th-1024x349.jpg 1024w, https:\/\/muzik.name\/wp-content\/uploads\/2020\/12\/augmented-4th-300x102.jpg 300w, https:\/\/muzik.name\/wp-content\/uploads\/2020\/12\/augmented-4th-768x262.jpg 768w, https:\/\/muzik.name\/wp-content\/uploads\/2020\/12\/augmented-4th.jpg 1176w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Augmented fourth<\/figcaption><\/figure>\n<ul class=\"wp-block-list\"><li>The melody is often resting on la. The intervall do-la (small third) gives the melody a minor taste.<\/li><li>At the end of the first chorus part, (&#8220;jubilate do omnis terra&#8221;) before the solist starts, there is a si bemol that avoids the augmented interval and leads to the fundamental tone fa. With the introduction of the si bemol the melody loses its sharpness, it becomes a clear major scale (similar to Acemasiran).<\/li><\/ul>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"325\" src=\"http:\/\/muzik.name\/wp-content\/uploads\/2020\/12\/si-bemol-1024x325.jpg\" alt=\"\" class=\"wp-image-1404\" srcset=\"https:\/\/muzik.name\/wp-content\/uploads\/2020\/12\/si-bemol-1024x325.jpg 1024w, https:\/\/muzik.name\/wp-content\/uploads\/2020\/12\/si-bemol-300x95.jpg 300w, https:\/\/muzik.name\/wp-content\/uploads\/2020\/12\/si-bemol-768x244.jpg 768w, https:\/\/muzik.name\/wp-content\/uploads\/2020\/12\/si-bemol.jpg 1171w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<p><\/p>\n","protected":false},"featured_media":0,"parent":1358,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","doc_tag":[],"class_list":["post-1359","docs","type-docs","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Historical development of Western music after the Ancient times - m\u00fczik.name<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/muzik.name\/en\/docs\/omt\/melody-patterns-in-gregorian-chant-and-makam-music\/western-music-after-the-ancient-times\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Historical development of Western music after the Ancient times - m\u00fczik.name\" \/>\n<meta property=\"og:description\" content=\"Examples The first song is a simple psalmody as it could be heard in the early times of Christianity. 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